This commentary is made with ironic ambivalence to the realization that the dead, and for that matter aliens with a Scottish brogue, are walking the earth. Coursing with a seething rage that is unlike Jarmusch’s traditional indie work, this genre blender wears its Romero influences on its sleeve while crafting a scathing indictment of humanity’s apathetic reaction to climate change: We’re turning a blind eye, even as mass extinction is right upon us! Yet that smirking self-awareness and dry detachment does not prevent director Jim Jarmusch’s The Dead Don’t Die from being coolly bemusing and quietly wrathful. If ever there was a zombie movie more pleased with itself, I haven’t seen it. It’s a sweet if somewhat belabored allegory that finds its groove in the later scenes where long-lost relatives return to the living, creating darkly comical situations like who really owns a home after multiple generations of families have lived there? And does anyone alive actually like smooth jazz? (Answer: No, no they do not, but zombies love it!) Yet when she comes back to life thanks to some old school, pre-George Romero voodoo magic, he has a second chance to say goodbye, which is no easier with her right there… and that’s before she begins to rot. Read more: 25 Friendly Funny Horror Comedies When the movie begins, Zach (Dane DeHaan) has already buried Beth ( Aubrey Plaza), the girlfriend who was on the verge of breaking up with him. Like the best zombie thrillers, this zombie dramedy uses the pretext of the dead coming back to life to discuss poignant realities, which in Beth’s case is the pain of grief. The other, better my ex just won’t leave me alone, even after the grave movie, writer-director Jeff Baena’s Life After Beth is a mixed if ultimately satisfying work.
Watch Pride and Prejudice and Zombies on Amazon 7. The movie, however, is just a middle-of-the-road zombie actioner in period garb, feeling far more stilted than even the driest Masterpiece Theatre entry. In spite of these assets, the film doesn’t capture the mild amusement of Grahame-Smith’s novel, which is still about 75 percent Jane Austen and only a quarter zombie carnage (with the joke being the British are too polite to mention the undead marauding ghouls roaming the countryside unless absolutely necessary). Languishing in development hell for years, the eventual Burr Steers film starred the very talented Lily James as a saber-wielding Lizzie Bennett and an excellent supporting cast that also includes Doctor Who’s Matt Smith and Game of Thrones’ Lena Headey. Russell (he eventually found that shot of adrenaline in Silver Linings Playbook). Based on Seth Grahame-Smith’s satirical novel of the same name, Pride and Prejudice and Zombies was originally conceived a decade earlier as a star vehicle for Natalie Portman and comeback piece for director David O. A case study in the juvenile, Planet Terror hasn’t aged particularly well, but Rodriguez might consider that a compliment for a film bathed in grindhouse rot. And in terms of finding them, Robert Rodriguez occasionally succeeds by relying on gross out sight gags like Bruce Willis and a jar of severed testicles, or via breaking Hollywood taboos by having a mother discover what happens when she leaves her child alone with a gun. This one admittedly could be considered a push between zombie comedy and outright zombie action movie, but when the film’s most memorable aspect is a stripper named Cherry Darling (Rose McGowan) attaching a rocket launcher to her amputated thigh, we tend to think it veers closer to the yuks. Hence no Evil Dead, Dead Snow, Dead Alive, Cemetery Man, or the like. And what’s more delicious than a zombie comedy that gets flesh-eating just right?Įditor’s Note: This is ranking zombie comedies, not zombie movies with comedic elements. Indeed, as you’ll see in many of the movies below, a zombie apocalypse can be just another chance to turn a frown upside down.
#LIFR AFTER BETH MOVIE NUDE SCENE FULL#
Now it’s hard to take a single step in the pop culture landscape without landing on a reanimated corpse with a belly full gray matter-not that this should be treated as the end of the world. Rather the undead were a cult novelty that allowed indie filmmakers to speak truth to power… via allegories involving lots of brain-munching and disembowelment.
#LIFR AFTER BETH MOVIE NUDE SCENE TV#
Believe it or not, there was a moment where you were not inundated with zombie movies, zombie TV shows, zombie video games, and zombie memes. For those old enough to remember a time before The Walking Dead premiered on AMC, it’s strange to admit we’ve reached a zombie saturation point.
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